movie auteur Eli Roth is taking a stab at something new-his own film studio, dubbed "The movie Section."


Movie Summary: The Momentum The Momentum is a high-energy action-adventure fitness film that blends intense physical training with a fast-paced, globe-spanning mission. The story follows Evan Cross(Kenta Seki), a former elite athlete whose career was cut short by a devastating injury. Struggling to find purpose, Evan rediscovers his drive through an underground fitness movement that pushes the human body to its absolute limits. What begins as extreme training quickly turns dangerous when Evan learns the movement is secretly preparing a team to stop a powerful corporation exploiting experimental performance technology. Each mission demands not only strength and endurance, but discipline, teamwork, and mental resilience. From rooftop parkour chases to brutal endurance challenges in deserts, mountains, and urban combat zones, every action sequence is driven by real physical limits and raw athleticism. As Evan rebuilds his body and confidence, he realizes that true momentum isn’t just speed or power—it’s the ability to keep moving forward despite fear, failure, and pain. In a final showdown that tests everything he’s trained for, Evan must choose between personal glory and leading others to victory. The Momentum delivers explosive action, inspiring fitness sequences, and a powerful message about perseverance, self-belief, and the strength found in motion. 💪🎬
Join legendary movie filmmaker Eli Roth—the mastermind behind Hostel, Cabin Fever, The Green Inferno, and Thanksgiving—in launching his brand-new movie studio. As an investor, you'll own shares of the company plus a piece of the profits from Eli Roth’s new films. This is your chance to build a movie empire, straight from the twisted mind of a genre legend.

As fans and owners of The movie Section, we want you to have the best experiences. That's why we've created a set of special bonus perks for investors.
You’ll have the chance to be featured in on-screen credits. Receive a blood-spattered stock certificate.
Take part in Town Hall Zooms with me.
I’ll host investor-only special meetups when I’m at movie conventions.
Invite you to exclusive screenings.
And offer script reviews, producer credits, and cameo roles…
And don’t forget. For anyone willing to invest $1 million dollars, I will literally kill you… on-screen. A bespoke death that I guarantee will be in the final cut.
Check out all the Bonus Perks below.


Throughout my career, people have told me, “Eli, you can’t do that… that’s too sick.” I always took that as a good sign that I was onto something.
While I’ve made my films both independently and with studios, whether it’s Hostel, Cabin Fever, The House with a Clock in Its Walls, or Thanksgiving, I'm now branching out to finance and release my movies on my own.



And I want you, the movie fans, to join me in building it as investors.
Join me, and you’ll own shares in the studio with full rights and a full stake in the financial upside.

*Investing in businesses involves a high degree of risk, including the total loss of an investment. Please review the risk factors in the offering documents to better understand the… Read more

Throughout my career, people have told me, “Eli, you can’t do that… that’s too sick.” I always took that as a good sign that I was onto something.
While I’ve made my films both independently and with studios, whether it’s Hostel, Cabin Fever, The House with a Clock in Its Walls, or Thanksgiving, I'm now branching out to finance and release my movies on my own.



And I want you, the movie fans, to join me in building it as investors.
Join me, and you’ll own shares in the studio with full rights and a full stake in the financial upside.

*Investing in businesses involves a high degree of risk, including the total loss of an investment. Please review the risk factors in the offering documents to better understand the particular risks to this investment.
That’s where we’ll have an edge. I’ve set up a partnership with Iconic Events, the company that released Terrifier 3, the most profitable movie of 2024.
Iconic is committed to releasing hardcore movie movies theatrically, the way they’re meant to be watched. Their marketing expertise and engagement strategies turn films into unique events and experiences fans love. The movie Section plans to take full advantage of the model Iconic utilizes with our new films.
This way, we keep full creative freedom and full financial upside without the control of traditional studios.

What’s the most valuable thing in movie movies? It’s the iconic characters that spawn franchises and drive fans to theatres again and again. Just look at the box office of these legendary characters.
As an investor in The movie Section, you will own the characters, the movies, the rights – all intellectual property — along with me and your fellow investors. Together, we’ll work to create the next generation of great movie franchises.
The chart below says it all. movie films, on average, make nearly 8x in box office what it costs to produce them. That’s by far the highest level and nearly double any other movie category.
I made Hostel for less than $5M and that movie pulled in over $80M at the box office. I know how to keep production costs down, and give fans the experience they want. That combination puts our films in the best position for box office and business success.
We plan to have two projects in production before the end of 2025, and aim to produce two to four projects each year going forward. That number will grow as we find the right projects.

That’s right. I’m not holding anything back.
Our business plan includes bringing my existing library of IP to The movie Section.
In fact, we already have a pipeline full of ideas and projects in development from some of my top franchises like Cabin Fever, Hostel, The Green Inferno, Clown, Haunt, and Knock Knock.
Plus we have a ton of other new ideas we want to create. There won’t be any long production cycles or development hell here. I plan to have our first film produced and released within the next 18 months.
movie fans know it’s about more than just the movies. It’s about the entire culture that goes with it. The movie Section will be taking part in all of it.
When there’s a great opportunity to develop a TV show, we’ll take it.
A podcast to help spread the word about our films. It’s already in the works.
Conventions. We’ll be there
Video Games. We'll make them.
Merchandise. We plan on a full lineup from t-shirts to figures to toys.
Whenever there’s a business opportunity that looks advantageous, we’ll pursue it. That’s going to create more revenue streams for you-the investors.
There are no tricks here. There are no special share classes or some preferred group of shareholders that keeps all the profits. You own real equity in the studio.
We’ve worked to set up the company so everyone shares in the profits based on their share of ownership.
To be clear, as a new studio, most of the profits we make will go right back into producing the next batch of films. That’s how we’ll grow The movie Section into the next juggernaut studio with a massive library of films and characters.
As an added incentive, we plan to return 10% of the net profits on all our films for the first five years to shareholders. This will be shared among all shareholders, pro rata, each year.
Think of it as blood money.

There are no tricks here. There are no special share classes or some preferred group of shareholders that keeps all the profits. You own real equity in the studio.
We’ve worked to set up the company so everyone shares in the profits based on their share of ownership.
To be clear, as a new studio, most of the profits we make will go right back into producing the next batch of films. That’s how we’ll grow The movie Section into the next juggernaut studio with a massive library of films and characters.
As an added incentive, we plan to return 10% of the net profits on all our films for the first five years to shareholders. This will be shared among all shareholders, pro rata, each year.
Think of it as blood money.
Beyond making great movie movies, our ultimate goal is providing our investors with profitable exit opportunities. If we’re successful, the paths might include going public through an IPO or selling to another studio.

My co-founder Jon Schnaars brings deep experience across strategy, finance and operations. He will drive the day to day operations of The movie Section, and work to deliver business results and build value for you, our investors.
We are also fortunate to have built a strong partnership with Media Capital Technologies (MCT), an entertainment finance company that specializes in investing in film and structuring deals with major studios. I can’t emphasize enough how important it is to have partners who know how to navigate the movie business.
MCT secured our Iconic Events distribution partnership, will arrange for additional project-specific financing, and is already working to set up more deals with distributors and producers to ensure our… Read more

My co-founder Jon Schnaars brings deep experience across strategy, finance and operations. He will drive the day to day operations of The movie Section, and work to deliver business results and build value for you, our investors.
We are also fortunate to have built a strong partnership with Media Capital Technologies (MCT), an entertainment finance company that specializes in investing in film and structuring deals with major studios. I can’t emphasize enough how important it is to have partners who know how to navigate the movie business.
MCT secured our Iconic Events distribution partnership, will arrange for additional project-specific financing, and is already working to set up more deals with distributors and producers to ensure our slate is a creative and commercial success.
MCT is currently a co-financing partner to Lionsgate for their film slate. Over the course of their careers, the principals of the company have previously invested in over 100 films that have grossed more than $10 billion at the box office collectively. Some of their most notable past investments include, The Matrix, Mad Max: Fury Road, I Am Legend, Birdman, Happy Feet, Oceans 12, American Sniper, Sherlock Holmes, Willy Wonka and the Chocolate Factory, The Green Inferno, and dozens of others.With their industry expertise and key relationships, MCT will help make The movie Section a household name in Hollywood.
About Eli Roth
Writer / Director / Producer and Actor Eli Roth burst onto the film scene at the 2002 Toronto Film Festival, with his directorial debut Cabin Fever. Made independently for $1.5 million dollars, the film sparked a bidding war, and went on to be Lionsgate’s highest grossing film of 2003. Roth’s follow-up film, Hostel which he wrote, produced and directed, presented and executive produced by Quentin Tarantino, earned him critical praise and was a massive worldwide hit, spawning a successful sequel, Hostel Part II, also written and directed by Roth.
In 2015, Lionsgate released Roth’s Sundance thriller Knock Knock, which stars Keanu Reeves and Ana de Armas in her English language screen debut. Additionally, Roth co-wrote, produced… Read more
About Eli Roth
Writer / Director / Producer and Actor Eli Roth burst onto the film scene at the 2002 Toronto Film Festival, with his directorial debut Cabin Fever. Made independently for $1.5 million dollars, the film sparked a bidding war, and went on to be Lionsgate’s highest grossing film of 2003. Roth’s follow-up film, Hostel which he wrote, produced and directed, presented and executive produced by Quentin Tarantino, earned him critical praise and was a massive worldwide hit, spawning a successful sequel, Hostel Part II, also written and directed by Roth.
In 2015, Lionsgate released Roth’s Sundance thriller Knock Knock, which stars Keanu Reeves and Ana de Armas in her English language screen debut. Additionally, Roth co-wrote, produced and directed The Green Inferno, and directed the critically acclaimed family film The House with a Clock in its Walls starring Cate Blanchett and Jack Black for Amblin Entertainment, as well as the gritty hit action film Death Wish starring Bruce Willis for MGM, and the video game film Borderlands starring Cate Blanchett, Jamie Lee Curtis, Kevin Hart, Jack Black and Ariana Greenblatt.

As an actor, Roth starred in Quentin Tarantino’s Inglorious Basterds as the bat-wielding Sgt. Donnie Donowitz, for which he and his cast members received the Screen Actors Guild Award for Best Ensemble. He also acted in Sam Levinson’s HBO series “The Idol”, and will soon appear alongside Vanessa Kirby in “The Night Always Comes” for Netflix.

As a producer, Roth has produced the hit films, The Last Exorcism, The Man with the Iron Fists, Jon Watts’ directing debut Clown and the hit Emmy ® Nominated Netflix series, “Hemlock Grove”. Roth hired an unknown Damien Chazelle to write the sequel to The Last Exorcism, starring Julia Garner and Ashley Bell. Roth’s critically acclaimed docuseries “Eli Roth’s History of movie” ran for three seasons on AMC, as well as the #1 podcast that accompanied the series. Roth’s fan favorite movie series “A Ghost Ruined My Life,” “The Haunted Museum”, “Urban Legend”, and “My Possessed Pet” are all streaming on Max.
Roth’s critically acclaimed documentary about the harrowing shark fin trade Fin, produced with Leonardo DiCaprio, premiered to rave reviews in July 2021 as part of Discovery’s Shark Week, and went on to Best Documentary at the Ischia Global Film Festival.
Roth co-created the DreamWorks Animation kids series “Fright Krewe” for Peacock and Hulu and co-wrote, produced, and directed the hit movie film Thanksgiving for TriStar pictures, starring Patrick Dempsey. He is currently writing a sequel, as well as a TV series of “Hostel” starring Paul Giamatti.
Securities will be delivered to the Brassica Trust Company LLC (“Bitgo”) and your ownership of the Revenue Participation Agreement will be reflected in your individual Bitgo Custody account. Brassica will act as the legal holder of record for securities purchased through Republic.
The company already has a large slate of existing and new original IP created by Eli that are in various stages of development. Some projects are ready to immediately go into production, while others are still being developed into scripts and packaged.
Going forward, the company will continue to develop new ideas and IP from Eli. It will also collaborate closely with talent, filmmakers, and other top producers that Eli has worked with in the past. The company will hire a full creative team, including a Head of Production, to source, develop, and execute new projects.
While we do not accept unsolicited pitches, Republic investors at the $10,000 level and above will have the opportunity for The movie Section team –including Eli– to review your script or film concept and provide feedback.
The Company manages the perks that investors earn by participating in this offering after the deal is finalized. Please reference the deal page for the most accurate description of the perks available to investors.
The movie Section will operate through multiple business models. First and foremost, we will finance and produce the projects that we develop. This means we will put our own equity capital into projects – potentially alongside other sources of capital – so that we own the upside in success. At other times, The movie Section may work in more of a producer-for-hire role on films primarily funded by other financiers or studios. In these cases, we would receive a fee for production work and some backend (e.g. net profits) participation on the projects.
Yes, The movie Section intends to act as a producer on all films that the company works on. The company may also collaborate with other financiers and/or producers on certain projects who may function as co-producers.
Most of the capital raised through this campaign will finance the development and production of original feature films. The company will partner with other production companies, studios, or financiers who will co-invest in a particular project when needed.
One of the reasons we are so excited to have MCT as part of The movie Section team is their deep experience in film financing. They will help provide additional capital at the project level for many of our films. This will help the company not only produce and finance more films overall but also appropriately mitigate our risk on any single project.
There may also be certain projects on which The movie Section is simply a producer on a film entirely financed by another studio. These types of projects carry zero investment risk and would provide the company with additional revenues through producer fees and profit participation.
Once we are fully up and running, our plan is to release between two and four films a year to start and ramp up from there.
We anticipate our first film moving into production during the Summer of 2025, which would put us on track for a release in late 2025 or early 2027. As the project nears completion, we'll evaluate release date options and target a date that gives it the best chance to succeed.
Iconic Events Releasing is an experienced theatrical distribution company. They specialize in bringing thrilling, cutting-edge filmed and live entertainment to fans in movie theaters across North America and beyond. As a service provider, Iconic offers marketing and distribution for full-run releases in over 2,500 theaters. They have built the capabilities to put films into theaters without the bureaucracy of many large multinational studios. With
Iconic, The movie Section can distribute directly to the fans without interference and with much more favorable economics.
We intend to allocate the proceeds in the following manner:
47% for Film, TV, Podcast Development and Production
14% Operations and Admin
12% Personnel and Team Overhead
10% Other Investment Activities
5% Brand and Marketing
7% Closing Costs
5% Intermediary Fees
Eli has been involved in a wide range of projects over his twenty-plus year career – as director, writer, producer and actor. While his attachment and level of control over the IP varies across these projects, the intention going forward is to bring as many of these projects as possible into The movie Section.
The truly exciting part of building The movie Section will be the new IP that we will create, which will be fully controlled by the company.
Investors own shares of The movie Section and participate in profits from the individual films we release. The company will share the profits on film projects pro-rata across all shareholders. This provision applies to all films - both self-financed projects and producer-for-hire projects. The profits will be calculated at the project level, not the company level. We will do an annual distribution of these profits for the first 5 years.
Here are two illustrative examples of how that would work:
1. The movie Section fully finances a $3M film and distributes it ourselves with Iconic in the US, spending $1M on marketing the film and selling foreign rights to international distributors. Film generates $10M in Net Revenue for the company over the first 5 years, while other talent profit participation costs are $1M. The profit definition for our films is all revenues worldwide across all windows, including ancillaries, like merchandise and soundtrack revenue ($10M) minus the production costs, distribution costs, and talent participation. ($3M + $1M + $1M =
$5M). $10M - $5M = $5M in Net Profits. Then, 10% of that, or $500,000, is distributed to all shareholders pro-rata as it comes in over the 5 years. The balance will be reinvested into the next film or project.
2. A major studio is fully financing a $10M film and distributing it themselves worldwide. The movie Section is simply the film's producer and is able to negotiate 20% Net Profits on the backend (according to the studio waterfall, which would be defined in our underlying agreement with the studio). The film does well, and The movie Section receives $1M from its profit participation. When received, the company will distribute $100,000 pro-rata to all shareholders. The balance will be reinvested into the next film or project.
The movie Section will always retain the right to issue additional discretionary dividends. We want to strike a nice balance between rewarding shareholders and reinvesting and growing the company into a real studio with a large library that sets it up for a sale/exit to a major studio or other buyer. The profit share would only apply to
films, not the other businesses, though we expect film to make up the vast majority of the company's revenue and profit.
Profits will be distributed directly to each shareholder’s Republic wallet.
For the first five years, we will distribute profits annually within the first four months of the following calendar year.
The movie Section intends to enable secondary trading 12 - 18 months after launch. The company will work to optimize the timing of the secondary listing for investors, taking into consideration current market conditions and the company’s near-term business objectives.
It will occur on Republic’s SEC-regulated securities trading platform.
Investors will receive a 1099 issued by the Company.
Tokenization refers to the digitization of real-world assets where a token represents the direct or indirect ownership stake of the asset. Put differently, it is the process of converting rights to an asset into a digital token recorded on a blockchain, where a token is a proxy or a means of representing an indirect, direct, or similar interest in a particular asset.
SITs are Blockchain-based ERC-1404 tokens that provide an additional method for investors to provide a notification directing Brassica to transfer their Participation Interests.
SITs are not intended to be a digital representation of the Participation Interests.
For more information on SITs, please review the respective offering documents.
The movie Section intends to mint and distribute SITs on the blockchain network.
If distributed, SITs will be distributed on a 1:1 basis with the Participation Interests. (i.e., if an investor has 200 Participation Interests, they can receive 200 Tokens)
Please review the offering documents for a comprehensive review of the risks associated with the SITs. Please review the offering documents for a comprehensive review of the risks associated with the SITs. Risks include, without limitation:
SITs have not yet been minted.
The regulatory regime governing blockchain technologies, cryptocurrencies, and coins, including the SITs, is uncertain, and new regulations or policies may materially adversely affect the value of the Revenue Participation Agreement.
US federal and state agencies have begun to regulate the use and operation of blockchain networks and assets. If a government or quasi-governmental agency exerts regulatory authority over a blockchain network or asset, the SITs may be materially and adversely affected.
Investors may lack information to monitor their purchases.
The application of distributed ledger technology is novel and untested and may contain inherent flaws or limitations.
Several external factors outside of the Company may influence the price of the Revenue Participation Agreement.
A disruption of the Internet or the Ethereum Network would affect the ability to transfer Revenue Participation Agreement via SITs.
SITs do not have inherent value absent the Revenue Participation Agreement.
Because SITs may be based on a blockchain, any malfunction, breakdown, or abandonment of the underlying protocol may result in the loss of or inability to transfer SITs.
Advances in cryptography or technical advances, such as the development of quantum computing, could present risks by undermining or vitiating the cryptographic consensus mechanism that underpins the underlying protocol.
Legislatures and regulatory agencies could impose requirements that limit or prohibit the use and/or functionality of current and/or future cryptographic protocols, which could adversely impact the ability to transfer the SITs.
If and when there is a trading venue for SITs if and when they are minted, distributed, and no longer locked up, it could be insufficient. Further, the SIT trading venues (if any) will be subject, like all exchanges and alternative trading systems, to security failures or other operational issues; such events could result in a reduction in SIT prices.
SITs do not directly embody the full spectrum of rights typically associated with Revenue Participation Agreement securities as they are merely a tool of transfer.
A custodian is a qualified third-party entity that acts as a legal holder of securities. An investor will open a custodial account with the qualified custodian, which is used to hold investments, namely the securities in a company. A custodial account allows you to name a beneficiary and accept payments such as dividend distributions or cash payouts. Custodial accounts are not managed or held by Republic; instead, they are managed by the custodian who works with the issuer raising on the platform. The custodian of this offering is BitGo Trust Company.
Companies will utilize a custodian to ensure that all securities they offer in their campaign are in one place. This structure means if a liquidity event or any other material event regarding the securities occurs, the company can look to the custodian to service the securities rather than each individual investor.
For investors, utilizing a custodian safeguards their investment, or security interest, with a qualified financial institution. Having a custodial account allows for easier transfers and creates additional layers of protection for your securities. For companies, it can increase efficiency by reducing their cap table management costs and creating a single-line item, making future funding rounds easier.
Yes, since the company is utilizing a custodian, all investors in the offering will be required to create a custodial account with BitGo Trust Company and enter into an omnibus nominee agreement.
The custodial account creation process is hosted in our investment checkout system, meaning you will commit your investment and establish your account with BitGo all at once. You will be automatically prompted to review and sign certain custodial documents with BitGo during investment checkout. In addition, you may be asked to provide certain information to verify your identity. Once completed, you will receive an email confirming your investment commitment.
Companies will utilize a custodian to ensure that all securities they offer in their campaign are in one place. This structure means that if a liquidity event or any other material event regarding the securities occurs, the company can look to the custodian to service the securities rather than each individual investor.
For investors, utilizing a custodian safeguards their investment, or security interest, with a qualified financial institution. Having a custodial account allows for easier transfers and creates additional layers of protection for your securities. For companies, it can increase efficiency by reducing their cap table management costs and creating a single-line item, making future funding rounds easier.
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Right now, there are no costs for investors to open a custodial account. Custodial accounts sometimes have a low annual cost to maintain; however, such costs are covered for the investor in this offering.
Please contact our team at investors@republic.co with any further questions related to your custodial account with Bitgo.
Please contact our team at investors@republic.co with any further questions related to your custodial account with Bitgo.
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